ИСТИНА

• Член программного комитета: Богушевская В.А.
• Охват: Международная
• Даты проведения: 28-29 ноября 2019
• Место проведения: Department of Linguistic Sciences and Foreign Literatures, Catholic University of the Sacred Heart, Milan, Italy
• Организаторы:
  Department of Linguistic Sciences and Foreign Literatures, Catholic University of the Sacred Heart, Milan, Italy
  Università Cattolica del Sacro Cuore
• Число участников из МГУ: 4
• Число докладчиков: 21
• Веб-сайт: https://www.unicatt.it/eventi/evt-speaking-and-writing-about-colours
• Описание конференции:

  The most exquisite paradox of colour is that it comprises the possibilities of the logical (conceptual) and eidetic (sensorial-figurative) ways of world cognition. For philological studies, this peculiarity of colour is fundamental; once the colour is lexically expressed in a literary text, it transforms non-verbal (eidetic) experience into verbal (logical) coding. At the same time, “colour, in a western technical sense, is not a universal concept and in many languages there is no unitary terminological equivalent” (Conklin 1955). The referents of colour terms fall into a number of broad general categories of both environmental and cultural importance. A word can either “remember” or “forget”, even “reconstruct” some notions relevant to a speaker’s cultural tradition. Colour can be expressed in a language either explicitly (i.e., by naming directly the colour itself or describing it through another colour) or implicitly (i.e., via naming an object that has a characteristic typical colour assigned by a cultural tradition); this method inspires appearing of associative and connotative semes (Uporova 1995). Colour metaphors are pervasive across languages, very often related with the conveyance of emotional content, yet also very variable in their content association. When analyzing colour in literature, it is crucial to consider the entire artistic specificity of the text where colour merely makes a part. In this case the study of colour involves an analysis of colour-related poetic figures, the arrangement of colour nuances in the text, and their correlation not only with the strophic and rhythmic organization of the text, but also with other artistic categories, such as space and time. All this allows seeing “how colour resists language and also how it ceaselessly requires and solicits language” (Harrow 2017). This workshop addresses the representation of the phenomenon of colour in linguistics, literature, philosophy, and arts. Workshop dates: November 28-29, 2019 Location: Department of Linguistic Sciences and Foreign Literatures, Catholic University of the Sacred Heart, Milan, Italy Scientific Board: Victoria Bogushevskaya Davide Vago

• Добавил в систему: Богушевская Виктория Алексеевна

Доклады:

• 2019 Red colour in the language and culture of Russia and China (Устный)
• Автор: Вихрова А.Ю.