Аннотация:This paper makes an attempt of linguistic-gender understanding of the poem "The Tsar's Maiden" (1920)
and "On the Red Horse" (1921) by M.I. Tsvetaeva for the purpose of female and male figure
consideration, representing M. Tsvetaeva's creative imagination in the specified period and reflecting the inner drama of her psyche in "Combined Notebooks" (1921- 1938). An autodocument as an active
medium for the implementation of specific parameters concerning the category of identity, verbalized at
different levels of the language structure allows the author to model her identity while documenting it: identity is structured constantly (re/pere/de) in the process of writing.