Macroanalysis of the Strophic Syntax and the History of the Italian Ottava Rimaстатья

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Дата последнего поиска статьи во внешних источниках: 10 июня 2020 г.

Работа с статьей

[1] Belousova A., Páramo Rueda J. S. Macroanalysis of the strophic syntax and the history of the italian ottava rima // Quantitative Approaches to Versification. — Institute of Czech Literature of the Czech Academy of Sciences, 2019. — P. 23–30. The article discusses the results obtained with the help of a computer program created for the automatic analysis of strophic syntax. The program was created using Boris Tomashevsky’s method, which is based on analyzing the punctuation at the end of poetic lines (the strength of the syntactic pause is evaluated depending on the absence or presence of a sign: i.e. a comma, a dash, a semicolon or a full pause / question / exclamation mark). The analyzed texts (more than 18,000 stanzas) divided into two distinct groups, consistent with chronology. The continuity of Ariosto with respect to the lyric octave of Poliziano, as well as the difference between the octave of Tasso and the octave of Ariosto, was established. This positive result shows the necessity of a macrostudy that would include a much larger number of texts from different national traditions.

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