ИЗУЧЕНИЕ ГОРОДСКИХ КУЛЬТУРНЫХ ЛАНДШАФТОВ СРЕДСТВАМИ ФОТОГРАФИИ И ЖИВОПИСИ (НА ПРИМЕРЕ СТАРОЙ МОСКВЫ)

Исаев, И.А.; Маркова, О.И.

Авторы: Исаев И.А., Маркова О.И.
Сборник: Ландшафтоведение и ландшафтная экология: коадаптация ландшафта и хозяйственной деятельности: материалы международной научно-практической конференции «Четвертые ландшафтно-экологические чтения», посвященные Г. Е. Гришанкову
Год издания: 2020
Издательство: Крымский федеральный университет им. В.И. Вернадского
Местоположение издательства: Симферополь
Первая страница: 400
Последняя страница: 405
Аннотация: t. A cultural landscape, in contrast to a natural, pristine one, is a geographic landscape, developedand transformed by people as a result of purposeful activity. The urban cultural landscape changes most rapidly.In the conditions of a metropolis, traditional cultural landscapes characteristic of past centuries remain recognizable only in some places. Basically, the landscape is transforming, often leading to its unrecognizability. Thismainly refers to technogenic changes in the relief and especially to high-rise construction, which radicallychanges the appearance of the cultural landscape.With the help of pictorial means of photography and painting, it is possible to evaluate in a historicalcontext: relief, vegetation and other natural landscape elements, which are especially well traceable at the present time in specially protected natural areas; composition, diversity, types and changes in the cultural landscapeof the city, often absorbing its natural basis (in which panoramic views are especially helpful, for example, thefamous viewpoints on the Vorobyovy Hills or Krylatsky Hills); man-made multi-tiered city; historical reconstructions; the appearance of individual historical buildings, estates and cultural heritage monuments; key events inthe history of the city (wars, periods of construction, industrialization, sporting events, change of government,political events); ethnographic types and appearance of the urban population in the historical context. The most famous painters of the past who painted Moscow in different historical periods I. V. A. Tropinin(1776−1857), K. P. Bryullov (1799−1852), G.G. Chernetsov (1802−1865), N. G. Chernetsov (1804−1879), I. K.Aivazovsky (1817−1900), A. K. Savrasov (1830−1897), I. I. Shishkin (1832−1898), V. V. Vereshchagin(1842−1904), V.D. Polenov (1844−1927), V. M. Vasnetsov (1848−1926), A. M. Vasnetsov (1856−1933), S.I.Svetoslavsky (1857−1931), I. I. Levitan (1860−1900), K. A. Korovin (1861−1939), V .A. Serov (1865−1911), V. N.Meshkov (1868−1946), N. K. Roerich (1874−1947), K. F. Yuon (1875−1958), A. M. Gerasimov (1881−1963), N.P. Krymov (1884−1958), B. N. Yakovlev (1890−1972), Yu. I. Pimenov (1903−1977). It should be noted that thepaintings of painters are not always geo-referenced; to identify the depicted landscape, it is necessary to havecertain art history information.Among the contemporary painters who depicted Moscow, one can mention I. S. Glazunov (1930−2017,historical painting), V. A. Paroshin (b. 1950, landscapes of city streets), A. A. Sundukov (b. 1952, painting andgraphics, monumentalism, social art), E. I. Dergileva (b. 1952, watercolors of the ancient streets of Moscow), S.V. Volkov (b. 1956, genre of primitive urban landscape), I. V. Razzhivin (b. 1958, urban landscapes), S. N. Andriyakа (b. 1958, watercolor landscapes and panoramas), V. I. Nesterenko (b. 1967, painting in the style of realism).The genre of photography, in contrast to painting, captures the situation on the ground, regardless ofthe author’s imagination. The construction of a photographic image for its best perception is characterized bycertain patterns. Of particular interest are photographs of places depicted by painters of the past.Pictures and photographs are an informative means of studying the constantly changing and disappearing ancient cultural landscapes and contribute to their preservation in the dynamic environment of the metropolis.
Добавил в систему: Маркова (Котова) Ольга Ивановна

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ИЗУЧЕНИЕ ГОРОДСКИХ КУЛЬТУРНЫХ ЛАНДШАФТОВ СРЕДСТВАМИ ФОТОГРАФИИ И ЖИВОПИСИ (НА ПРИМЕРЕ СТАРОЙ МОСКВЫ)статья

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