Psychology “in Terms of Drama” Project: The Origins, the Essence, the Implementation

Sokolova, E.E.

Статья опубликована в высокорейтинговом журнале

Информация о цитировании статьи получена из Scopus
Статья опубликована в журнале из списка Web of Science и/или Scopus
Дата последнего поиска статьи во внешних источниках: 8 апреля 2022 г.

Автор: Sokolova Elena E.
Журнал: Russian Studies in Philosophy
Том: 59
Номер: 4
Год издания: 2021
Издательство: M.E. Sharpe Inc.
Местоположение издательства: United States
Первая страница: 326
Последняя страница: 337
DOI: 10.1080/10611967.2021.2000314
Аннотация: The paper presents the results of analysis of certain aspects of L. S. Vygotsky’s manuscript Konkretnaya Psikhologiya Cheloveka (Concrete Human Psychology, 1929) and related works that have to do with his—unrealized personally by himself—project of creating psychology “in terms of drama.” The article also discusses some works by the French Marxist philosopher Georges Politzer that were among the project’s sources. The methodological foundations for creating the “dramatic” (concrete) psychology suggested by Politzer and Vygotsky are explicated as well. The author discusses the contents of such concepts as drama, emploi (in the sense of “onstage speciality”), role, mastery, will, choice—the terms Vygotsky used—in the context of the very broad interpretation of “drama” in works of some contemporary researchers of the scholar’s work. She also analyzes the ways of solving the problems of volitional regulation of activity and the possible mechanisms of resolving role conflict which is, according to Vygotsky, the essence of drama. Further directions of evolution of these ideas of Vygotsky in the works of A. N. Leontiev’s school.
Добавил в систему: Соколова Елена Евгеньевна

	ИСТИНА	Войти в систему Регистрация
	ИСТИНА ИНХС РАН
	Главная Поиск Статистика О проекте Помощь

ИСТИНА

ИСТИНА ИНХС РАН

Psychology “in Terms of Drama” Project: The Origins, the Essence, the Implementationстатья

Прикрепленные файлы