Аннотация:The analysis centers on the usage of several structures typical for the organization of Chinese classical poetry in contemporary Chinese verse and compares it with language experiment in Russian poetic tradition. Poems by such authors as Chen Li, Dai Weina, Han Bo, Ouyang Jianghe, Xuanyuan Shike, Yu Jian, Zhang Zao, and others, demonstrate a widespread use of linguistic devices, which involve several different levels of utterance. These devices include parallelism, elliptical constructions and nontrivial semantic links created through the phonographics of language. Linguistic analysis of various usage contexts shows that all three types serve as mechanisms for ensuring semantic cohesion of the text and create connections with the space of classical images and the tradition of the Chinese "new poetry" of the 20th century. Experiments with ellipsis, parallelism and phonographics expand the capabilities of language and construct a type of text that relies on their unconventional usage – for example, labeling the most semantically loaded fragment of a poetic utterance with parallelism instead of placing it in the central part of the stanza, reintroducing personal pronouns, etc.
